Two roads: How consolidation and fragmentation are reshaping the agency market
Industry insights series
Earlier in this industry insights blog series we explored how AI is shifting from experiment to infrastructure, with agencies investing in new technology, leadership roles and operating models to support that change.
But technology is only part of the story.
Across the UK, US and Europe we are also seeing structural shifts in how agencies themselves are organised. As AI investment accelerates, two forces are becoming increasingly visible: consolidation among the global networks and a surge of new independent ventures launched by experienced industry leaders.
Understanding why both trends are happening at the same time tells us a great deal about where opportunity lies for agencies, talent and brands in the year ahead.
If you missed the first article in the series, you can read it here:
AI shifts from experiment to infrastructure
So far in 2026 the creative industry has looked simultaneously like it was getting bigger and getting smaller. Both things are true. Understanding why tells you a great deal about where opportunity lies in the year ahead.
The end of 2025 set the tone. The merger of Omnicom and Interpublic Group created the world’s largest holding company and signalled that 2026 would be a year defined by scale, structural shifts and serious investment in AI capability.
Holding companies have not slowed down. WPP rolled its production capabilities into a single unified unit, WPP Production, led by Richard Glasson. It also unveiled the Strategy Architects Group, bringing together Alex Hesz, Antonis Kocheilas and Ben Kay to build a central strategic capability.
Serviceplan Group launched House of Communication UK, experiential specialist Jack Morton merged with Impact XM to form a new private entity backed by The Riverside Company, and London agency St. Luke’s completed a majority acquisition of BBD Perfect Storm.
This is consolidation with purpose. Scale is being reorganised to support AI investment, improve efficiency and strengthen group-wide capabilities.
Then we have the counter-movement. Senior leaders leaving networks to build something new, lean and creatively ambitious.
For example, Richard Huntington, formerly Chair and CSO at Saatchi & Saatchi, launched Feral, described as a “free thinking growth company” built around a studio model. Simon Alexander, previously at Grey, introduced Aurelius Wolf, focused on the commercial power of creativity, and Christine Jones from the Ridley Scott Creative Group, launched SirenXYZ, a female-led creative company in London.
This continued as Moah Studio came out of stealth with a global proposition centred on speed and craft, Avelin Partners launched with an advisory and enablement focus and within VCCP, Good Relations, Harvard and Teamspirit merged to form VCCP Roar.
These shifts aren’t contradictory; they are two responses to the same pressures. Big groups are reorganising for scale and capability, while senior talent is moving quickly to build leaner, more focused creative companies.
Analyst Brian Wieser has tracked consistent growth among the largest independents, and that pattern is intensifying. Campaign US described 2026 as “a year of extremes”, with independents gaining visibility while the big groups double down on AI and technology.
We’re seeing two clear models emerge across the industry.
1. The scale model
AI-driven, data-rich, global and built for efficiency. This is where the major holding companies are focusing their energy, investing in technology, infrastructure and integrated capability.
2. The craft model
Lean, founder-led and centred on creativity, judgement and speed. These boutiques position themselves as the opposite of network bureaucracy, offering fewer layers and more direct access to senior talent.
The new independents are clear about this stance. Even their names, Feral, Moah, Aurelius Wolf, SirenXYZ, signal a deliberate break from convention and a desire to work differently.
As one voice in Campaign’s 2025 predictions put it: “The big corporations will dominate the headlines. The independents will dominate the ideas.”
If you’re hiring inside a major holding company, consolidation strengthens your story. Scale, global reach and deep capability remain powerful advantages, but retaining talent increasingly requires a sharper narrative. Talent increasingly wants clarity on what working inside a global network makes possible. That answer is now anchored in AI infrastructure, major client access and the ability to work at scale that independents can’t perhaps replicate.
For independent and boutique founders, the opportunity is structural. Consolidation has released highly experienced, motivated talent into the market. As Robert Half’s early 2026 data shows, 77 per cent of marketing and creative leaders plan to increase their use of contract professionals, giving independents more flexibility in how they build and scale teams.
For individuals, the paths are clearer. If you want scale, AI investment and global clients, the holding companies are reinforcing that proposition. If you want autonomy, creativity and proximity to decision-making, the independent world has never been more vibrant.
We also see that there is a third lane emerging. Many mid-sized agencies are carving out strong positions by doubling down on specialist expertise, deep client relationships and smart partnerships that let them scale capabilities without becoming unwieldy. They are becoming the bridge, flexible like independents and resourced like networks, and that blend is increasingly attractive to both clients and talent.
The smart question for anyone planning their next move isn’t simply what kind of work you want to do, but what kind of organisation you want to build that work inside.